Inversion Ensemble and The Cathedral present
Sacra et Profana
Oct 23 at 8PM & Oct 25 at 4PM
The Cathedral
Inversion is a music organization that focuses primarily on new music and music by living composers. We create impactful art in the heart of Texas by harnessing the power of music to tell stories that matter, foster connection and healing, and amplify voices that need to be heard.
Katrina Saporsantos, Artistic Director and Conductor
Program
* indicates Texas premiere performance
Full program PDF here
About the Concert
Sacra et Profana heralds the arrival of the Thinning Veil–the three days spanning October 31 to November 2, dedicated to remembering the dead, including martyrs, saints, and the dearly departed. There concert features two major works: “MISA”, is a setting of the Latin Mass for a cappella chorus by Filipino composer Ryan Cayabyab, and “Unfashioned Creature” by Timothy C. Takach, a choral ballet scored for choir, cello, and percussion that takes themes from Mary Shelley’s Frankenstein: rejection, self-discovery, and love, choreographed by Penelope Freeh. This concert benefits the Health Alliance for Austin Musicians, which provides Austin-area musicians with access to affordable health, wellness, and prevention services.
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Music: Ryan Cayabyab
Texas premiereComposer Ryan Cayabyab is a monumental figure in contemporary Asian music. A visionary composer, conductor, arranger, and educator, his profound contributions to the arts were officially recognized by the Philippine government in 2018, bestowing upon him the title of National Artist for Music—the highest state honor given to a Filipino artist. He composed Misa in 1983 for his graduation recital in composition at the University of the Philippines College of Music. Cayabyab grew up reciting the Latin mass, so he had an affinity for those works back then. For that work, he decided to experiment with textures, other types of writing that aren’t typical for mass settings–heterophony, drones, chants–and the use of a choir singing a cappella. He has written many other masses since then but Misa has remained a showstopping masterpiece in both concert and choral competition stages.
Misa was premiered in the US by the University of the Philippines Concert Chorus the same year it was composed. Tonight, Inversion has the distinction of bringing this work to Texas and being the first non-Filipino choir to perform it in the US.
Kyrie
soli: Amy Harris, soprano; Kristen Thomas, mezzo-sopranoKyrie eleison
Lord, have mercyChriste eleison
Christ, have mercyKyrie eleison
Lord, have mercyGloria
solo: Lester Tanquilut, tenorGloria in excelsis Deo et in terra pax hominibus bonae voluntatis.
Glory to God in the highest, and peace on earth to people of good will.Laudamus te, benedicimus te, adoramus te, glorificamus te,
We praise You, we bless You, we adore You, we glorify You,gratias agimus tibi propter magnam gloriam tuam,
we give You thanks for Your great glory,Domine Deus, Rex caelestis, Deus Pater omnipotens.
Lord God, heavenly King, God the Father Almighty.Domine Fili unigenite, Iesu Christe,
Lord Jesus Christ, only begotten Son,Domine Deus, Agnus Dei, Filius Patris,
Lord God, Lamb of God, Son of the Father,qui tollis peccata mundi, miserere nobis;
You take away the sins of the world, have mercy on us;qui tollis peccata mundi, suscipe deprecationem nostram.
You take away the sins of the world, receive our prayer.Qui sedes ad dexteram Patris, miserere nobis.
You are seated at the right hand of the Father, have mercy on us.Quoniam tu solus Sanctus, tu solus Dominus,
For You alone are the Holy One, You alone are the Lord,tu solus Altissimus, Iesu Christe,
You alone are the Most High, Jesus Christ,cum Sancto Spiritu in gloria Dei Patris. Amen.
with the Holy Spirit, in the glory of God the Father. Amen.Credo
soli: Irida Herri, soprano; Mason Asberry, baritone
Credo in Deum Patrem omnipotentem,
I believe in God, the Father almighty,Creatorem caeli et terrae,
Creator of heaven and earth,et in Iesum Christum, Filium eius unicum,
and in Jesus Christ, His only Son, our Lord,Dominum nostrum, qui conceptus est de Spiritu Sancto, natus ex Maria Virgine,
Who was conceived by the power of the Holy Spirit and born of the Virgin Mary,passus sub Pontio Pilato, crucifixus, mortuus, et sepultus,
suffered under Pontius Pilate, was crucified, died, and was buried;descendit ad inferos, tertia die resurrexit a mortuis,
He descended into hell; on the third day He rose again from the dead;ascendit ad caelos, sedet ad dexteram Dei Patris omnipotentis,
He ascended into heaven and is seated at the right hand of God, the Father Almighty;inde venturus est iudicare vivos et mortuos.
from there He will come to judge the living and the dead.Credo in Spiritum Sanctum,
I believe in the Holy Spirit,sanctam Ecclesiam catholicam,
the holy catholic Church,sanctorum communionem,
the communion of saints,remissionem peccatorum,
the forgiveness of sins,carnis resurrectionem,
the resurrection of the body,vitam aeternam. Amen.
and the life everlasting. Amen.Sanctus
soli: Maureen Papovich and Ivy Cantu, soprano; Cassidy Wallace, mezzo-soprano; Nathan Thompson, tenor; Rick Gabrillo, bassSanctus, Sanctus, Sanctus, Dominus Deus Sabaoth.
Holy, holy, holy, Lord God of hosts.Pleni sunt caeli et terra gloria tua. Hosanna in excelsis.
Heaven and earth are full of Thy glory. Hosanna in the highest.Benedictus qui venit in nomine Domini. Hosanna in excelsis.
Blessed is He who comes in the name of the Lord. Hosanna in the highest.Agnus Dei
soli: Cristina Jones and Julia Sterner-Holden, soprano; Claudia Carroll, mezzo-soprano; Guillermo Delgado, tenor; Garrison Moore, bassAgnus Dei, qui tollis peccáta mundi: miserére nobis.
Lamb of God, who takes away the sins of the world, have mercy on us.
Agnus Dei, qui tollis peccáta mundi: miserére nobis.
Lamb of God, who takes away the sins of the world, have mercy on us.
Agnus Dei, qui tollis peccáta mundi: dona nobis pacem.
Lamb of God, who takes away the sins of the world, grant us peace.
Intermission
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Text: Mary Shelley; ed. Timothy Takach | Music: Timothy Takach
Texas premiere
The libretto is taken from Shelley’s novel, deconstructing the prose to form more poetic phrases.Prologue
Listen to me. Believe me.
We are unfashioned creatures, half made.1. The Idea
Darkness
The raising of ghosts or devils
A promise I most eagerly sought
Darkness
Bodies deprived of life - food for the worm.
Darkness
In the change from life to death, and death to life,
a sudden light broke upon me.
Animation upon lifeless matter.2. Creating the Creature
the unhallowed damps of the grave.
the instruments of life round me,
a spark of being into the lifeless thing
that lay at my feet.3. Awakening
one in the morning
the dull yellow eye of the creature
convulsive motion
yellow skin
their features: beautiful
muscles and arteries beneath
hair lustrous black and flowing
teeth a pearly whiteness
watery eyes, dun-white sockets
shriveled complexion
straight black lipsNow that I had finished, the beauty of the dream vanished
breathless horror and disgust filled my heart.
I beheld the wretch—the miserable monster whom I had created.
Their jaws upended, a grin wrinkled their cheeks.
They might have spoken, but I did not hear; one hand was stretched out.4. Cottage
A small room, whitewashed and clean, bare of furniture.
In one corner, near a small fire, sat an old man, his head on his hands.
A young girl sat down beside, taking up an instrument, he began to play,
sweeter than the voice of the thrush or the nightingale.
A sweet mournful air drew tears from the eyes of his companion.
He raised her, and smiled with such kindness and affection.
Sensations: a mixture of pain and pleasure, such as I had never before experienced.
I withdrew from the window, unable to bear these emotions.5. Similar and Yet Unlike
The gentler people; I longed to join them, but dared not.
I cherished hope but it vanished when I beheld my person reflected.
I remembered the treatment I suffered,
and resolved that I would remain quietly, watching.
I found myself similar yet strangely unlike them.
I understood them, but was unformed in mind.
What did this mean?
I have no relation or friend upon the earth.
These amiable people have never seen me, know little of me.
I am full of fears; for if I fail, I am an outcast in the world forever.Do not despair. The hearts of all are full of love and charity.
Rely, therefore, on your hopes; do not despair.An outcast in the world forever.
6. Listen and Believe
Listen to me, Frankenstein.
Listen to my tale.
Life is dear to me, and I will defend it.
Believe me, Frankenstein:
I was benevolent; my soul glowed with love and humanity:
but am I not alone, miserably alone?
If mankind knew of my existence, they would arm themselves for my destruction.
Shall I not hate them who abhor me?
Listen to me, Frankenstein.
Listen to my tale,
I ask you not to spare me: listen to me;
and if you can, if you will, destroy the work of your hands.7. The Creature’s Demands
Cursed, cursed creator!
Why, in that instant, did I not extinguish the spark which you bestowed?
If I cannot inspire love, I will cause fear.
I will work at your destruction, nor finish until I desolate your heart.I swear to you that when I live in communion with an equal,
my evil passions will have fled,
for I shall meet with sympathy; my life will flow quietly away.
The sun shall shine on us as on us
all.8. Rely on your Hopes
Do not despair. Listen to me.
The hearts of all are full of love and charity.
Rely, therefore, on your hopes; do not despair.Believe me.
We are unfashioned creatures, half made.
Creator Bios
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Ryan Cayabyab, affectionately revered in the national music community as "Mr. C," is a monumental figure in contemporary Asian music. A visionary composer, conductor, arranger, and educator, his profound contributions to the arts were officially recognized by the Philippine government in 2018, bestowing upon him the title of National Artist for Music—the highest state honor given to a Filipino artist.
In 2019, his global impact was further cemented when he received the prestigious Ramon Magsaysay Award (widely regarded as Asia’s Nobel Prize) for his transformative leadership and dedication to nurturing the musical talents of the next generation.
Spanning over five decades, Mr. C’s extensive and versatile oeuvre includes award-winning orchestral works, full-length ballets, acclaimed musical theater productions, and opera. Notably, his groundbreaking choral compositions and arrangements are celebrated for their intricate harmonies and emotional depth, making them staples in the repertoires of premier choirs globally and frequent set pieces in international choral competitions.
As a highly sought-after adjudicator, clinician, and artistic director, he has shaped the landscape of popular music writing festivals, choral festivals and music education across the Asia-Pacific region. His presence on any international panel brings unparalleled prestige, reflecting a lifetime of artistic excellence, academic rigor, and an enduring passion for cultural diplomacy through music.
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Item description
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Penelope Freeh rearticulates balletic traditions, blending theatricality, coded gesture, and visual design elements to reveal deeply personal content. She is a two-time McKnight Fellow for Choreographers and Sage awardee for Outstanding Performer. Collaborations include
works created with composers Jocelyn Hagen and Timothy C. Takach.
Freeh danced with Minneapolis’ James Sewell Ballet for 17 years, serving as Artistic Associate from 2007-11. She holds a Dance MFA from Hollins University, where she is the Program Director of Dance. With colleagues Brynne Billingsley and Elizabeth Corbett, she co-founded the long-distance performance collective TINATA, which is holding a residency in Angoulême, France this Fall. Her dance/theater solo White Zinnia will perform at JOLT! Performing Arts Festival in Columbia, SC in January 2027.
Sacra et Profana Artists
INVERSION
Katrina Saporsantos,
Artistic Director & Conductor
Benjamin Dia,
rehearsal pianist
SOPRANO
Irida Herri
Ivy Cantu
Jenny Ohrstrom
Julia Sterner-Holden
Maureen Papovich
Amy Harris
Cristina Jones
ALTO
Andrea Pobanz
Cassidy Wallace
Claudia Carroll
Kassie Kelly
Kristen Thomas
Krystina Speegle
TENOR
Guillermo Delgado
Jonathan Riemer
Lester Tanquilut
Logan Rutledge
Nathan Thompson
BASS
Ev Blaché
Garrison Moore
Mason Asberry
Rick Gabrillo
André Trahan
Casey Papovich
INSTRUMENTALISTS
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Carol Anne Bosco’s music includes playfully melodramatic ballads, mischievous tunes about cold-blooded baseball players, and lyrical homages to California coastal highways. Her original songs integrate jazz, classical, and folk elements, and are arranged for a chameleon band that can be as small as a solo cello and vox set, as big as a ten-piece band with rhythm section and string quartet arrangements. She writes with an emphasis on interesting melody lines, energetic grooves, and ranging solos.
Carol Anne was a finalist in the 2023 Bernard Ebb Songwriting Competition, and was selected as a featured artist in the 2025 Texas Women’s Songwriter Festival. She has performed for the Tiny Desk Concerts featuring Oscar-winning composer Volker Bertelmann (Haushka), alt-J, Billy Corgan, Alisa Amador, and Meg Myers. The latter concert included her own string quartet arrangements. She has performed with Jenny Lewis, Jukebox the Ghost, and Hurray for the RiffRaff, as well with Jump Little Children on their Oblivion tour.
Carol Anne has an MM in cello performance from the University of Maryland and a BA in music performance from Florida State University. Her principal teachers have included Kenneth Slowik, Evelyn Elsing, Dennis Parker, Michael Kannen, Greg Sauer, and Diana Ligeti.
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Jordan Walsh is a percussionist, producer, and educator based in Austin, Texas striving to perform the most absurd music with the most genuine fervor. Frequently engaged as a solo performer, Jordan has appeared as a featured guest at SEAMUS, NYCEAMF, PASIC, Purdue University, and the BGSU New Music Festival. He is principal percussionist of Density512, member of minimalist rock group Goliath Was Bigfoot, a sometimes-third-part of the legendary Line Upon Line Percussion, and is one half of the non-broadcast-pirate-radio phenomenon Peach Blossom Highway.
DANCERS
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Marco was born in Washington, D.C. He began dancing at The Washington School of Ballet for 7 years, before attending St. Paul’s School, training under Kate Lydon. He began his professional career with BalletX and then Richmond Ballet’s Studio Company before joining Ballet Austin on 2025.
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Erin Ellis is a dance artist, choreographer, and educator based in Austin, Texas. She is adjunct faculty in the Dance Department at Austin Community College and a founding collaborator with Allysen Hooks Projects. Through performance and collaboration, she creates works that blend archetypal symbolism with theatrical expression, revealing stories embedded in the body and opening pathways to transformation. Her practice is guided by somatic awareness, curiosity, and the generative potential of live performance.
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Jordan Miller (she/her) is a freelance dancer/choreographer/creator based in Austin, TX after nearly a decade of living and creating in New York City. She serves as co-founder and co-director of contemporary ballet company, konverjdans (converge/dance), whose work converges dance with other art forms through collaboration and storytelling.
Jordan's had the privilege to work and perform with the New York City Ballet, Performa/Dance, Ventana Ballet, Alexa Capareda and Red Nightfall Dance Theater and many others.
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Melissa Sanderson is an Austin-based dance artist whose work spans performance, choreography, education, and screendance. Since earning an MFA in Dance from Texas Woman’s University, she has collaborated with Allysen Hooks Projects, Cora Laszlo, BLiPSWiTCH, Alexa Capareda, Kelsey Oliver, Brandon Gonzalez, POINT A, and Jordan Fuchs. Melissa volunteers on the advisory board for Texas Dance Improvisation Festival and serves as Associate Professor and Assistant Chair of the Dance Department at Austin Community College. www.melissasandersondance.com.
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Kanami Nakabayashi is a dance artist based in Austin, TX, originally from Tokyo, Japan. She began dancing at age three and trained internationally in Canada and at the University of Texas at Austin. As a freelance artist, she has performed with local companies including BLiPSWiTCH, Early Era Collective, konverjdans, Performa/Dance, Red Nightfall Dance Theatre, Spaces of Fontana, and TY&CO, and Austin-based choreographers. She has also served as adjunct ballet faculty at UT Austin.
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Morgan Phillips is a freelance dance artist originally from Mesa, Arizona who began her dance training in local studios before relocating to Salt Lake City, UT. There, she performed with SALT Contemporary Dance, Wasatch Contemporary, Cat + Fish, LajaMartin, The Woods Project, SB Dance Company, and various others. Morgan's also a pole artist who has created original works rooted in contemporary movement. Since moving to Austin, she has worked with konverj/Austin, TY&CO, and Wild She Dances.
PRODUCTION STAFF
Kenken Gorder, Producer
Natalie George Productions (Natalie George, Sadie Langenkamp, Gabrielle Caumon), Lighting Design
Elise Etherton, Audio Engineer
Niles Davis, Photo & Videography
Zoe Riemer, Stage Manager
Tucker Hymel Pratt, Production Assistant
Susan Dixon, Volunteer Coordinator
CATHEDRAL TEAM
Monica Ceniceros
Madilyn Briscoe
Kat Eader
Noemi Szyller
VOLUNTEERS
October 23: Betsy Pilkington, Stephen Reynolds
October 25: Cecily Johnson
INVERSION PERSONNEL
STAFF
Katrina Saporsantos, Artistic Director and Conductor
Jenni Warren, Managing Director
BOARD OF DIRECTORS
Jonathan Riemer, President
Meeta Mistry, Treasurer
Jaime Ramirez, Secretary
Holly Salinas
Jenny Houghton
Kathy Leighton
Meredith Ware Morrow
Michael Pressler
Marketing Consultant
Lester Tanquilut
DONORS
Many thanks to our individual, business, and sustaining donors going into our seventh season! For a current list of donors, visit the donation page on our website.
Many Thanks to
This project is supported in part by an Elevate Grant of
Austin Arts, Culture, Music, & Entertainment.
Our co-presenters, The Cathedral, a Latina-owned art gallery, venue and workspace in a refurbished church in East Austin. Home to the atxGALS artist collective.
Our Inversion Cares partner, Health Alliance for Austin Musicians provides access to affordable healthcare for Austin's low-income, working musicians with a focus on prevention and wellness.
St. James Episcopal Church of Austin, an inclusive, multicultural church with African American roots in East Austin, for hosting us for our rehearsals.
Special thanks go out to the following
Our Austin Dance Community
Alexa Capareda for her incredible help with our dancers
E. G. Gionfriddo for helping facilitate our rehearsal space rental
Carolyn Trowbridge for donating use of her marimba.
Kent Burress and Michael Pressler for providing food and drinks for these concerts!
THANKS FOR COMING!